
- •1. Education and early works.
- •2. The Bohemian period.
- •3. Acquiring a style.
- •4. Realism and poetry.
- •5. Idealism and power.
- •6. Exoticism and tragedy.
- •7. ‘Renewal or Death’.
- •8. ‘La rondine’, or disenchantment.
- •9. New forms.
- •10. The last experiment.
- •11. Assessment.
- •Instrumental
- •Individual operas
Instrumental
-
Orch: Preludio a orchestra, E/e, 1876, autograph, Museo Casa natale; Preludio sinfonico, orch, A, 1882 (1977) [used in Le villi and in first version of Edgar]; Adagietto, 1883, sketch Li*, unpubd; Capriccio sinfonico, perf. Milan, 14 July 1883, Mc*, arr. pf 4 hands (1884); Scossa elettrica, march, 1896, unpubd
Chbr: Scherzo, str qt, c1880–83, Li*, unpubd; Str Qt, D, c1880–83, parts Li*, unpubd: Crisantemi, str qt (1890); 3 minuets, str qt, 1884 (1892), nos.1, 3 rev. (Paris, 1898); La sconsolata, vn, pf, 1883, unpubd
Kbd: several unpubd org pieces, before 1880; Foglio d’album, pf, ?1907 (New York, 1942); Piccolo tango, pf, ?1907 (New York, 1942)
Puccini: (5) Puccini, Giacomo
BIBLIOGRAPHY
source material
G. Adami: Giacomo Puccini: epistolario (Milan, 1928; Eng. trans., 1931, rev. 2/1974)
V. Seligman: Puccini among Friends (London, 1938)
G.M. Gatti: Puccini in un gruppo di lettere inedite a un amico (Milan, 1944)
L. Marchetti: Puccini nelle immagini (Milan, 1949)
L. Ricci: Puccini interprete di se stesso (Milan, 1954)
E. Gara, ed.: Carteggi pucciniani (Milan, 1958)
C. Paladini: Giacomo Puccini (Florence, 1961)
C.A. Hopkinson: Bibliography of the Works of Giacomo Puccini 1858–1924 (New York, 1968)
A. Marchetti: Puccini com’era (Milan, 1973)
G. Magri: Puccini e le sue rime (Milan, 1974)
G. Pintorno: Puccini: 276 lettere inedite (Montecatini, 1974)
S. Puccini, ed.: Giacomo Puccini: lettere a Riccardo Schnabl (Milan, 1981)
M. Kaye: The Unknown Puccini (Oxford, 1985)
S. Puccini and M. Elphinstone, eds.: ‘Lettere di Ferdinando Fontana a Giacomo Puccini’, Quaderni pucciniani, iv (1992), 5–233
biography and criticism
F. Fontana: ‘Giacomo Puccini’, GMM, xxxix (1884), 381–2; repr. as ‘Giacomo Puccini visto dal suo primo librettista’, Musica d’oggi, xv (1993), 148–50
F. Torrefranca: Giacomo Puccini e l’opera internazionale (Turin, 1912)
I. Pizzetti: ‘Giacomo Puccini’, Musicisti contemporanei: saggi critici (Milan, 1914), 49–56
G. Monaldi: Giacomo Puccini e la sua opera (Rome, 1923)
A. Fraccaroli: La vita di Giacomo Puccini (Milan, 1925)
G. Marotti and F. Pagni: Giacomo Puccini intimo (Florence, 1926/R)
R. Specht: Giacomo Puccini: das Leben – der Mensch – das Werk (Berlin, 1931; Eng. trans., 1933, 2/1970)
A. Bonaccorsi: ‘Le musiche sacre dei Puccini’, Bollettino storico lucchese, vi (1934), 29–50
G. Adami: Puccini (Milan, 1935, 2/1938)
K.G. Fellerer: Giacomo Puccini (Potsdam, 1937)
P. Panichelli: Il ‘Pretino’ di Giacomo Puccini racconta (Pisa, 1940, 4/1962)
G. Adami: Il romanzo della vita di Giacomo Puccini (Milan, 1942, 2/1944)
M. Carner: Of Man and Music: Collected Essays and Articles (London, 1944, 3/1945) [incl. ‘In Defence of Puccini’, ‘The First Version of Madama Butterfly’, ‘The Two Manons’, ‘Puccini’s Early Operas’, ‘Puccini’s Chief Symphonic Venture: the Capriccio sinfonico’, ‘A Puccini Operetta: La rondine’, ‘The Exotic Element in Puccini’]
G. Marotti: Giacomo Puccini (Florence, 1949)
A. Bonaccorsi: Giacomo Puccini e i suoi antenati musicale (Milan, 1950)
G.R. Marek: Puccini: a Biography (New York, 1951)
D. Del Fiorentino: Immortal Bohemian: an Intimate Memoir of Giacomo Puccini (London, 1952)
M. Carner: Puccini: a Critical Biography (London, 1958, 3/1992)
E. Greenfield: Puccini: Keeper of the Seal (London, 1958)
C. Sartori: Puccini (Milan, 1958, 4/1978)
S. Hughes: Famous Puccini Operas (London, 1959, 2/1972)
C. Sartori, ed.: Puccini (Milan, 1959) [collection of essays by various authors]
W. Ashbrook: The Operas of Puccini (New York, 1968; London, 1969, 2/1985)
L. Pinzauti: Puccini: una vita (Florence, 1974, repr. 1975 as Giacomo Puccini)
A. Marchetti: ‘Tutta la veritè sull’ “Inno a Roma” di Puccini’, NRMI, ix (1975), 396–408
J. Meyerowitz: ‘Puccini: musica a doppio fondo’, NRMI, x (1976), 3–19
C. Casini: ‘Introduzione a Puccini’, Il melodramma italiano dell’Ottocento: studi e ricerche per Massimo Mila, ed. G. Pestelli (Turin, 1977), 511–35
S. Martinotti: ‘I travagliati avant-propos di Puccini’, Il melodramma italiano dell’Ottocento: studi e ricerche per Massimo Mila, ed. G. Pestelli (Turin, 1977), 451–510
C. Casini: Giacomo Puccini (Turin, 1978)
E. Greenfield: Puccini (London, 1980)
J. Nicolaisen: Italian Opera in Transition, 1871–1893 (Ann Arbor, 1980)
J. Maehder, ed.: Esotismo e colore locale nell’opera di Puccini: Torre del Lago 1983 (Pisa, 1985)
J. Budden: ‘Wagnerian Tendencies in Italian Opera’, Music and Theatre: Essays in Honour of Winton Dean, ed. N. Fortune (Cambridge, 1987), 299–332
J.L. DiGaetani: Puccini the Thinker: the Composer’s Intellectual and Dramatic Development (New York, 1987)
M. Girardi: Puccini: la vita e l’opera (Rome, 1989)
M. Sansone: ‘Verga, Puccini and La lupa’, Italian Studies, xliv (1989), 63–76
D. Schickling: Giacomo Puccini: Biographie (Stuttgart, 1989, 2/1992)
H. Greenwald: Dramatic Exposition and Musical Structure in Puccini’s Operas (Ann Arbor, 1991)
S. Döhring: ‘Puccinis Italianità’, Nationaler Stil und europäische Dimension in der Musik der Jahrhundertwende, ed. H. de la Motte-Haber (Darmstadt, 1991), 122–31
A. Atlas and R. Parker: ‘A Key for Chi? Tonal Areas in Puccini’, 19CM, xv/3 (1991–2), 229–34
M. Elphinstone: ‘Le prime musiche sinfoniche di Puccini: quanto ne sappiamo’, Quaderni pucciniani, iii (1992), 115–62
G. Magri: L’uomo Puccini (Milan, 1992)
A.W. Atlas: ‘Multivalence, Ambiguity and Non-Ambiguity: Puccini and the Polemicists’, JRMA, cxviii (1993), 73–93
J. Maehder: ‘Giacomo Puccinis Schaffensprozess im Speigel seiner Skizzen für Libretto und Komposition’, Vom Einfall zum Kunstwerk: der Kompositionsprozess in der Musik des 20. Jahrhunderts, ed. H. Danuser and G. Katzenberger (Laaber, 1993), 35–64
D.A. Martino: Catastrofi sentimentali: Puccini e la sindrome pucciniana (Turin, 1993)
J. Maehder: ‘Szenische Immagination und Stoffwahl in der italienischen Oper des Fin de siècle’, Zwischen Opera buffa und Melodramma, ed. J. Maehder and J. Stenzl (Frankfurt, 1994), 187–248
S. Puccini and W. Weaver, eds.: The Puccini Companion (New York and London, 1994)
V. Bernardoni: ‘Musiche in teatro: stereotipi strumentali nell’opera di fine Ottocento’, Letteratura, musica e teatro al tempo di Ruggero Leoncavallo: Locarno 1993, 1991–39
M. Giardi: Giacomo Puccini: l'arte internazionale di un musicista italiano (Venice, 1995; Eng. trans., forthcoming)
G. Biagi Ravenni and C. Gianturco, eds.: Giacomo Puccini: l’uomo, il musicista, il panorama europeo (Lucca, 1997)
W. Osthoff: ‘Pfitsner und Puccini’, Mitteilungen der Hans Pfitzner-Gesellschaft (1997), 38–48
W. Wilson: Giacomo Puccini (London, 1997)