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Ex.6. Fill in the gaps with an appropriate preposition (to; in; of; for; on; with):

To fail (1)… smth; to pay attention (2)… smth; a play(3) … light and shadow; pigments mixed (4)… oil; tempera based(5) … yolk; to strive (6)… perfection; to result (7)… effects; generation (8)… brilliant masters; to belong (9)… next generation; owing (10)… the lack (11)… time.

Ex.7. Use the word given in capitals at the end of each sentence to form a word that fits in each gap:

1. She is eager to … her own style instead of copying others.

DEVELOP

2. Who is a … of this creative software?

DEVELOP

3. The designer has several interesting projects under….

DEVELOP

4. Mike is … photos in the laboratory now.

DEVELOP

5. Great Britain is a highly- … industrial country.

DEVELOP

6. Education is a continuous … process.

DEVELOP

Ex.8. Choose the right definition to the words:

1. a tempera 1. a pigment mixed and mashed with oil

2. an oil paint 2. a type of paint in which the colour is mixed with a thick liquid often yolk

UNIT6. TRAINING SPEAKING SKILLS

Ex.1. Find the correspondence between the masters and the styles/schools they worked in. Use the phrase bank below:

1. Cimabue and Ducco

1. International Gothicism

2. Giotto di Bondone

2. Visual realism

3. Paul Limburg

3. Visual emotional realism

4. Robert Campin

4. Flemish school

Phrase bank:

1. … is/are known to be the founders of…

2. The most famous representative of … was/were …

3. … belonged to…

4. It should be mentioned that….

5. It is worth saying that…

6. I can’t but remember that…

Ex.2. Characterize the artist’s style of painting of each representative of Flemish School. Use the phrase bank below:

1. Jan van Eyck

1. was a portrait painter

2. made his own style

3. preferred rich colours and sharp outlines

4. paid much attention to details

5. attained magnificent play of light and shadow on different objects

6. was the first master of the European oil painting

2. Rogier van der Weyden

Phrase bank:

1. First of all I’d like to tell/inform you that…

2. The next important thing/fact to be mentioned is…

3. The main characteristic feature of… is that he….

4. The problem of (Ving) is successfully solved by…

5. The question of (Ving) is of paramount importance/of great value for/to …

6. Finally, I should stress/underline that…

Ex.3. Fill in the table with appropriate information from the texts in units 1-5. Speak on the causes of stages in the development of Middle Ages painting. Use the phrase bank below:

causes

stages, results

expansion of literacy

literature with miniatures and monograms

religious innovations

?

?

murals

new religious current of realistic and humanistic nature

?

technical progress in paining

?

forming decorative ornaments

?

reflection of unreal atmosphere of the court

?

?

local art

?

the development of Flemish Art

Phrase bank:

1. to aid smth e.g. the development of

2. to cause smth.;

3. to enable ;

4. thanks/due to smth.;

5. … was flourishing/being developed/created/demanded;

6. with… it was possible to… (toV);

7. to result in (N or Ving);

8. … made possible … (N or Ving);

9. to manifest oneself in (N);

10. to give possibilities (to V).

Ex.4. Speak on the advantages and disadvantages of fresco painting. Use the phrases below:

advantages

disadvantages

1. shriveled quickly

1.during one session a master worked only with that piece of wall he managed to paint

2. didn’t husk

2. the wall had to be constantly wet

3. gave stable compounds

3. factor of time was critical

4. presented original beauty and vividness

4. pigments reacted with the wet layer

Ex.5. Fill in the gaps with one of the words from the list given below. Compare two techniques (painting with tempera and using oil paints) of painting. Which one was more revolutionary and innovative? Give the reasons.

1. oil paints

2. brightness

3. effects

4. details

5. pigments

1. Mixed and mashed with oil (1)… surpassed current tempera based on yolk in (2)…

2. Painting with tempera failed in depicting (3)… owing to the lack of time.

3. Using (4)… gave possibility to deploy layer by layer resulting in amazing (5)….

Ex.6. Fill in the table. Speak on every style of Middle Ages Painting.

Styles of Middle Ages Painting

Time period

Founders or representatives

Main subject of painting

Technical progress

Artist’s characteristic feature or manner

Visual realism

Emotional realism

International Gothicism

Flemish school

KEYS:

UNIT1. MIDDLE AGES PAINTING. THE 13TH CENCURY

Ex.5. a)

Ex.5. b)

Ex.6.

Ex.7.

1 - 4

1 - 2

1 - by

1 - profession

2 - 1

2 - 1

2 - in

2 - professionally

3 - 2

3 - 5

3 - on

3 - professionals

4 - 3

4 - 3

4 - of

4 - professionalism

5 - 5

5 - 4

5 - with

5 - decorate

6 - 6

6 - of

6 - decorating

7 - in

7 - decorated

8 - to

8 - decorative

9 - decorator

10 - decoration

UNIT2. NEW POSSIBILITIES

Ex.5. a)

Ex.5. b)

Ex.6.

Ex.7.

Ex.8.

1 - 3

1 - 2

1 - for

1 - paints

1 - 4

2 - 5

2 - 1

2 - of

2 - paintings

2 - 2

3 - 1

3 - 5

3 - in

3 - painting

3 - 1

4 - 2

4 - 3

4 - on

4 - painters

4 - 3

5 - 4

5 - 4

5 - from

5 - painting

6 - in

6 - painted

7 - of

8 - for

9 - for

UNIT3. THE ITALIAN MASTERS. FRESCOES

Ex.5. a)

Ex.5. b)

Ex.6.

Ex.7.

Ex.8.

1 - 4

1 - 3

1 - among

1 - a

1 - 2

2 - 3

2 - 1

2 - from

2 - b

2 - 1

3 - 2

3 - 2

3 - after

3 - c

4 - 1

4 - 4

4 - with

5 - 5

5 - 5

5 - with

6 - over

7 -to

8 - of

9 - in

10 - for

11 - of

12 - to

13 - over

14 - for

15 - with

UNIT4. GIVING AN EXPRESSION OF DEPTH

Ex.5. a)

Ex.5. b)

Ex.6.

Ex.7.

Ex.8.

1 - 5

1 - 2

1 - to

1 - really

1 - 2

2 - 3

2 - 3

2 - to

2 - realistic

2 - 1

3 - 6

3 - 1

3 - of

3 - realize; realizable

4 - 4

4 - 4

4 - by

4 - real

5 - 2

5 - in

5 - realization

6 - 1

6 - by

6 - realistically

7 - for

7 - reality; unreal

8 - of

9 - for

UNIT5.ADVENT OF OIL PAINTS

Ex.5. a)

Ex.5. b)

Ex.6.

Ex.7.

Ex.8.

1 - 4

1 - 3

1 - in

1 - develop

1 - 2

2 - 1

2 - 1

2 - to

2 - developer

2 - 1

3 - 3

3 - 2

3 - of

3 - development

4 - 2

4 - 4

4 - with

4 - developing

5 - 5

5 - 5

5 - on

5 - developed

6 - for

6 - developmental

7 - in

8 - of

9 - to

10 - to

11 - of

UNIT6. TRAINING SPEAKING SKILLS

Ex.1.

Ex.2.

Ex.5.

1 - 2

1 – 1,5,6

1 - 5

2 - 3

2 – 2,3,4

2 - 2

3 - 1

3 - 4

4 - 4

4 - 1

5 - 3

Ex.3.

causes

stages, results

expansion of literacy

literature with miniatures and monograms

religious innovations

altar images

establishment of st. Francisco’s Order

murals

new religious current of realistic and humanistic nature

the cult of Madonna

technical progress in paining

frescoes

forming decorative ornaments

perspective drawing (giving an impression of depth)

reflection of unreal atmosphere of the court

International Gothicism

flourishing cities

local art

advent of oil paints

the development of Flemish Art

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