- •Black square
- •Cave Painting
- •Mona Lisa
- •Let us trace back the life and shaping of the creative mind of one of the greatest and most eccentric painters of all times.
- •Dali`s quotations
- •Ten Who Changed the Millennium
- •Inventor
- •Explorer
- •Religious Leader
- •Scientist
- •Statesman
- •Music Composer
- •Activist
- •Peacemaker
Let us trace back the life and shaping of the creative mind of one of the greatest and most eccentric painters of all times.
Salvador Felip Jacint Dalí Domènech (May 11, 1904 – January 23, 1989) was an important Spanish painter, best known for his surrealist works. Dalí's work is noted for its striking combination of bizarre dreamlike images with excellent draftsmanship and painterly skills influenced by the Renaissance masters. Dalí was an artist of great talent and imagination. He had an admitted love of doing unusual things to draw attention to himself, which sometimes irked those who loved his art as much as it annoyed his critics, since his eccentric theatrical manner sometimes overshadowed his artwork in public attention.
Dalí's politics
Dalí has sometimes been portrayed as a fascist supporter, especially by his enemies in surrealist groups. The reality is probably somewhat more complex, especially in light of the fact that he was an acquaintance of famed architect and designer Paul Laszlo. In his youth Dalí embraced for a time both anarchism and communism. His writings account various anecdotes of making radical political statements more to shock listeners than from any deep conviction. When he fell into the circle of mostly Marxist surrealists who denounced as enemies the monarchists on one hand and the anarchists on the other, Dalí explained to them that he personally was an anarcho-monarchist.
With the outbreak of the Spanish Civil War, Dalí fled from fighting and refused to align himself with any group.Dalí became closer to the Franco regime after his return to Catalonia after World War II. Some of Dalí's statements supported the repression of Franco's Fascist regime, congratulating Franco for his actions aimed "at clearing Spain of destructive forces". Dalí sent telegrams to Franco, praising him for signing death warrants for political prisoners. Dalí even painted a portrait of Franco's daughter. Dalí's eccentricities were tolerated by the Franco regime, since not many world-famous artists would accept living in Spain. One of Dalí's few possible bits of open disobedience was his continued praise of Federico García Lorca even in the years when Lorca's works were banned.
Dalí produced over 1,510 paintings in his career, in addition to producing illustrations for books, lithographs, designs for theater sets and costumes, a great number of drawings, dozens of sculptures, and various other projects, including an animated cartoon for Disney.
Dali`s quotations
"The only difference between myself and a madman is that I am not mad."
"The only difference between me and the Surrealists is that I am a Surrealist"
"At the age of six years I wanted to be a chef. At the age of seven I wanted to be Napoleon. My ambitions have continued to grow at the same rate ever since."
"Every morning when I wake up, I experience an exquisite joy – the joy of being Salvador Dalí – and I ask myself in rapture: What wonderful things this Salvador Dalí is going to accomplish today?"
"I tried sex once with a woman and that woman was Gala. It was overrated. I tried sex once with a man and that man was the famous juggler Federico Garcia Lorca [the Spanish Surrealist poet]. It was very painful."
"What is important is to spread confusion, not eliminate it."
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Critical Paranoia, or how to decisively split your vision in new directions... By James Sebor Salvador Dali developed the concept of Critical Paranoia for establishing a creative state of self-induced psychosis. Andre Breton often maligned him for its uses, a sign of its relative importance and usefulness. Consider the process akin to forcing a waking dream, a conscious transformation led by paranoid scrutiny of what presents itself in the surroundings. The simplest version, hardly critical, hardly paranoid, begins with the child's game of staring into banks of clouds, looking for the chariot riders, the giants and other fantasms of humidity. Elementary exercises can also be practiced through prolonged staring at ink blots, scribble drawings and the array of optical illusions that sell themselves in one of many new-age, self-help manuals designed to prove that you are on your way to a happier existence. Those cracks in the sidewalk, they look like an outline of the west coast of Mexico. Those cracks in the sidewalk, they are the west coast of Mexico. Those ants in the middle, they are eating the Yucutan. Someone has stepped in Panama. They have left smudges in the Pacific. More advanced practitioners will find the intricacies of television static a delight to behold. The onset of migraine headaches a resounding flourish. (James Sebor, Critical Paranoia, http://www.seaboarcreations.com/criticalparanoia.htm, September 1, 2004) |
Inspiration, mediumship, surrealism: The concept of creative dissociation (excerpts) By Michael Grosso Salvador Dali developed something he called "paranoic critical activity," the main idea being to try systematically to concretize one's obsessions. Dali's were with putrefaction, masturbation, time, death, hell, and so on. Paranoiac critical activity is similar to Victor Frankl's paradoxical intention. Instead of denying or repressing the negative, we affirm and express it; we force ourselves to look at it in a concrete way. We exaggerate, make it monstrous, as Rimbaud said. We get the paranoia out of our system, so to speak, and at the same time, transform it into something artistically engaging or therapeutically helpful. This "activity" seems to me part of the healing power of art. It must have worked for Dali, who said, "The only difference between me and a madman is that I am not mad" (Bosquet, 1969, p. 83)... Surreality - my candidate for the advanced development of creative dissociation - was an attempt to revive the cult of the Muses... For Breton, de Chirico, Dali, and company, dissociation was the basis of a cultural revolution, a kind of post-religious eschatology that preached the necessity for disengagement from and destruction of the prevailing reality principle. (Cited from Grosso, Inspiration, mediumship, surrealism: The concept of creative dissociation, 1998, www.nidsci.org/pdf/grosso.pdf, January 7, 2005) |
V. Try to find the background information on surrealism.
VI. Read a report on the ten most prominent men in the history of mankind who helped shape the second millennium. They all were in one way or another radicals, risk takers, or controversial figures. All possessed the courage of their convictions and believed, often against considerable opposition, that they were in the right. Whether influential as religious reformer, free-thinking scientist, defender of democracy, women's activist, or in another role, these ten people changed the millennium and made history because they refused to accept the limits and conventional thinking of their eras. The world today is so much the richer for it.