- •1. Intonation of Greetings.
- •2. Intonation of Farewells.
- •3. Intonation of Thanks and Apologies.
- •4. Intonation of Congratulations and Surprise.
- •5. Intonation of Sympathy and Reassurances.
- •6. Intonation of Yes/No questions.
- •7. Intonation of Definite Answers to Yes/No Questions.
- •8. Intonation of Indefinite Answers to Yes/No Questions.
- •9. Giving information: the use of Falling-Rising tone.
- •10. Giving of information: The use of the Falling tones.
- •11. Asking wh-questions.
- •12. Intonation of Invitation and Order.
- •13. Intonation of Warnings and Suggestions.
- •14. Intonation of Hopes and Wishes.
- •15. Intonation of Question Tags and Echo-Questions.
- •16. Intonation of Short Questions and Short Answers.
- •17. Intonation of Too, Only, Either, Just and Even.
- •18. Intonation of Alternative Questions and Enumerations.
- •19. Intonation of Disjunctive Questions and Suggestions with Tags.
- •20. Types and Degrees of Utterance-Stress. Peculiarities of English Utterance-Stress.
- •23 Emphatic tones
- •24. Irregular Preheads.
- •25. Expressive means of English Intonation: Stress Reduction and Nuclear Tone-Shift.
- •26. Classification of Head Types. General Principles.
- •27. The Gradually Descending Stepping Head. The High Head. The Broken Stepping Head.
- •28. The Ascending Stepping Head. The Low Head.
- •29. The Sliding Head. The Scandent Head.
23 Emphatic tones
Emphatic tones are used in speech for two purposes:
To increase the semantic prominence of separate words in an utterance or an entire utterance;
To attach an emotional coloring to an utterance.
They are closely connected and often performed simultaneously.
Emphatic tones are variants of basic kinetic and static tones.
In writing form an emphatic tone is marked by doubling the tonetic mark stress.
The use of Emphatic Static Tones
The semantic role of an emphatic static tone is closely connected with the meaning of nuclear tone. Thus, emphasis on the onset (1st stressed) syllable of high rising tune only increase the prominence, making the Q sound RHETORICAL.
Emphasis on the onset syllable of a falling tune enhances the energetic character of statement, command or exclamation.
When the onset syllable of a law rising tune is made emphatic a note of impatience.
When the emphasis is applied to the 2nd, or third, or 4th, etc. syllable, with the preceding stress being unemphatic the tune is broken, since the pitch-level of the syllable bearing an emphatic tone will be higher than the pitch of the preceding unemphatic syllables.
When there are several high emphatic stresses in the head each successive syllable is pronounced on the same extra-high level or even slightly higher.
There is no limit to the number of emphatic tones that may be used in an utterance, but it’s not common for many successive words to be made prominent in this way. Such patterns usually have an emphatic kinetic tone on the nucleus. Emphasis on Kinetic Nuclear Tones
The emphatic High Rise is most commonly used in General Q to express extreme surprise or a shocked reaction.
The Emphatic Low Rise is used in various types of utterances.
---In statements and Imperatives this tone is often preceded by a low-pitched head and expresses a feeling of irritation, dissatisfaction and etc.
---General and Special +ELR, preceded by a high-pitched head convey a meaning of extreme surprise and incredulity.
---When a low pitched head is pronounced before an ELR the Q acquires a note of antagonism and impatience.
The Emphatic Fall gives an utterance an energetic note.
---Statement pronounced with EF sound very categoric and decisive.
---Special Q +EF sound insistent or contrastive.
---Imperatives or exclamations +EF sound strong and enthusiastic.
When both the prenuclear and nuclear stresses are made emphatic the overall prominence of an utterance is naturally increased. In such cases emphatic stresses are frequently given not only to the notional words but to the functional words as well.
24. Irregular Preheads.
Among the various ways in which the whole intonation0group can be made liveier and more emotional is the Irregular Prehead.
In the High irregular Prehead all the syllables are said on a very high pitch, higher than the onset syllable. In the text the High Prehead is indicated by a pitch-mark.
In The Low Irregular Prehead all the syllables are said on a very low pitch, lower than the syllables at the end of the falling tone.
The Irr. Prehead (H or L) is never very long, it rarely contains more than 2 or 3 syllables.
The Low Prehead is most commonly used before a high static tones and before kinetic tones which begin on a higher pitch.
The High Prehead is commonly combined with emphatic tones, especially in tunes containing no head.
The exact modal-emotional meaning with the HPr depends on the nuclear tone.
-- In tunes with the nuclear EM/L Fall the HPr is used to express disapproval,indignation or insistence.
-- In tunes with ELR nuclear tone the HPr often adds a feeling od disagreement and impatience.
--When followed by the HER the HPr gives a feeling of extreme surprise.