- •Stylistics and its Subdivisions
- •Process of reading is decoding
- •Expressive Means (em) and Stylistic Devices (sd)
- •The philological circle (the circle of understanding) – l Spitzer
- •Synonymous ways of rendering one and the same idea;
- •Seminar 1 General problems of stylistics Questions and tasks
- •Supplement
- •1.1. Dictionary definitions of style
- •1.2. Style in literary criticism and reviews of books
- •1.3. Raymond Queneau's Exercises in Style
- •Recommended literature:
- •2.1. The phonetic level of stylistic analysis
- •Phonetic Expressive Means and Stylistic Devices
- •Questions and tasks
- •Sound instrumentation
- •Alliteration Assonance Onomatopoeia
- •2.2. Graphic Expressive Means An Outline
- •2.3. Morphological Level of Stylistic Analysis An Outline
- •Seminar 2 Phonographic and morphemic expressive means Questions and tasks
- •Recommended literature:
- •Logical 2. Nominal 3. Emotive meanings.
- •Classification of the semantic structure according to Leningrad school of stylistics: Semantic structure of a word (Prof. I.V.Arnold) consists of denotative and connotative meanings.
- •Semantic structure of words (Prof. Arnold)
- •Stylistic Classification of the English Vocabulary
- •Stylistic Differentiation of the English Vocabulary
- •Vocabulary
- •Vocabulary
- •E.G. I must decline to pursue this painful discussion. It is not pleasant to my feelings; it is repugnant to my feelings. (d) “My children, my defrauded, swindled infants!” cried Mr. Renvings. (d)
- •Seminar 3 Stylistic differentiation of the English vocabulary Questions and tasks
- •Recommended lirerature:
- •The lexical thesaurus of the poetic text
- •Recommended lirerature:
- •Unit 4 Stylistic Phraseology An Outline
- •Seminar 4 Stylistic Phraseology Questions and tasks
- •Red herring
- •Recommended lirerature:
- •Units 5-7 Stylistic semasiology An Outline
- •Expressing the emotive and evaluative attitude of the writer towards the object described: ”The Peacelike Mongoose” (j.Thurber)
- •Lexical Expressive Means and Stylistic Devices
- •Classification of Lexical Stylistic Devices (I.R.Galperin)
- •I. The Interaction of Different Types of Lexical Meaning
- •1. Interaction of Dictionary and Contextual Logical Meaning
- •2. Interaction of Primary and Derivative Logical Meanings
- •3. Interaction of Logical and Emotive Meaning
- •Classification of Epithets
- •4. Interaction of Logical and Nominal Meaning
- •II. Intensification of a Feature (Lexico-Syntactical sd in V.A. Kukharenko’s classification)
- •Classification of Lexical Stylistic Devices (lsd)
- •Syntactical sd (ssd) – I.R.Galperin
- •The Types of Repetition on the Syntactical Level
- •Lexico-syntactical stylistic devices (lssd) (V.A.Kucharenko)
- •1) Analogy::recurrence (Simile, Climax, Periphrasis)
- •2) Contrast::recurrence (Anticlimax, Antithesis, Litotes)
- •1) Evokes fresh images;
- •2) Reveals the author’s attitude, when it is original (fresh).
- •Antithesis,
- •Anticlimax
- •Litotes
- •Seminar 5 Lexical Level of Stylistic Analysis Questions and tasks
- •Supplement
- •Recommended literature:
- •Seminar 6 syntactical level of stylistic analysis Questions and tasks
- •Supplement
- •Supplement
- •V. A raison de coeur
- •Recommended literature:
- •Unit 8 Stylistic grammar An Outline
- •Stylistic functions of articles
- •Stylistic transposition of pronouns
- •Adjectives, stylistic function of degrees of comparison
- •Stylistic functions of verbal categories
- •Seminar 8 Stylistic grammar Questions and tasks
- •Units 9-10 Functional stylistics An Outline
- •Functional styles, general characteristics, different classifications of functional styles.
- •Functional Styles of the English Language
- •F unctional Styles (y.M.Screbnev)
- •Literary colloquial
- •Familiar colloquial
- •I.V. Arnold
- •Functional Styles (I.R.G.)
- •Classification of Functional Styles of the English Language (I.R.Galperin)
- •The Problem of Colloquial Style
- •The Publicist Style, its Substyles, and their Peculiarities
- •The Newspaper fs, its Substyles and their Peculiarities
- •Formulative
- •1) Rigour and precision:
- •2) Impersonality: Passive Voice constructions
- •3) Logical sequence of utterances is achieved through:
- •The Cambridge Encyclopedia of the English language
- •It is characterized by special business terminology:
- •Informal functional styles:
- •Seminars 9-10 functional styles Questions and tasks
- •Recommended literature:
- •Supplement
- •Recommended literature:
- •Unit 11 types of narration and compositional terms An outline
- •Stylistic functions of the author’s narrative:
- •Seminar 11 types of narration Questions and tasks
- •Seminar 12 stylistics of the text Questions and tasks
- •Recommended literature:
- •Suggested schemes for stylistic analyses
- •The general scheme of linguo-stylistic analysis
- •Examination Questions and Problems
- •Assignments for stylistic analysis
- •Bibliography
T
Functional Styles (I.R.G.)
Belles Letters
Publicist
Newspaper
Scientific
Style
of Official Documents
Lg.
of Emotive Prose
Lg.
of Drama
Lg.
of Poetry
Classification of Functional Styles of the English Language (I.R.Galperin)
1. The Belles-Lettres Functional Style.
a) Poetry;
b) Emotive prose;
c) Drama;
2. Publicistic Functional Style,
a) oratory;
b) essays;
c) articles in newspapers and magazines;
3. The Newspaper Functional Style.
a) Brief news items;
b) Advertisements and announcements;
c) Headlines;
4. The Scientific Prose Style.
a) Exact sciences;
b) Humanitarian sciences;
c) Popular- science prose;
5. The Official Documents Functional Style.
a) Diplomatic documents;
b) Business letters;
c) Military documents;
d) Legal documents;
The Problem of Colloquial Style
I.R.Galperin denies the existence of this functional style. He thinks that functional style can be singled out in the written variety of language. He defines the style as the result of a deliberate careful selection of language means which in their correlation constitute this style.
Prof. Maltzev thinks that style is a choice but this choice is very often done unconsciously, spontaneously. He thinks that the main aim of a functional style is to facilitate a communication in a certain sphere of discourse. But the rigid layouts of business and official letters practically exclude the possibility of deliberate, careful selection. One more example is the compression in the newspapers headlines where there is a tendency to abbreviate language units.
There’s a discrepancy in I.R.Galperin’s theory. One of the substyles of the publicistic style is oratory which is its oral subdivision. Y.M.Skrebnev gives the definition of bookish and colloquial styles. The bookish style is a style of a highly polished nature that reflects the norm of the national literary language. The bookish style may be used not only in the written speech but in oral, official talk.
Colloquial style is the type of speech which is used in a situation that allows certain deviations from the rigid pattern of literary speech used not only in a private conversation, but also in private correspondence. So the style is applicable both to the written and oral varieties of the language. The terms “colloquial” and “bookish” don’t exactly correspond to the oral and written forms of speech. Prof. Maltzev suggests terms “formal” and “informal” and states that colloquial style is the part of informal variety of English which is used orally in conversation.
The Belles-Lettres Style, its Substyles and its Peculiarities (I.R.Galperin):
The term “Belles-lettres” is generic for 3 substyles:
- poetry;
- emotive prose;
- drama;
The Belles-lettres style has its own specific function which is double –phoned. Besides, informing the reader, it impresses the reader aesthetically. Its function is aesthetic and cognitive, cognitive on the one hand and receiving pleasure on the other.
The language means of this functional style are:
Genuine (not trite) imagery.
Contextual (connotative meaning) prevailing over denotation.
The individual choice of vocabulary which reflects the author’s personal evaluation;
Lexical and syntactical idiosyncrasy. A peculiar individual selection of syntax and lexis;
The introduction of elements of other styles.
Colloquial language (in drama).
The Language of Poetry. Its peculiarities are rhythm and rhyme. As a SD rhythm is a combination of the ideal metrical scheme and its variations governed by the standard. (Unit 1: Phonographic Level of stylistic analysis)
The Six-Quart Basket
The six-quart basket
One side gone
Half the handle torn off
Sits in the centre of the lawn
And slowly fills up
With the white fruits of the snow
Emotive prose. Emotive prose is a combination of literary and colloquial variants of the language, being presented by the speech of the characters which is stylized that means it has been made “literature like” and some elements of conversational English were made use of. Emotive prose allows the use of elements of other styles but the author changes them and fulfils a certain function. The substyle of emotive prose makes use of different EM and SD, represented speech, detached constructions, gap – sentence link, etc. (Unit 11. Types of narration)
The language of Drama is the language of plays mainly consisting of dialogues. The author’s speech is in the form of stage remarks. Any presentation of a play is an aesthetic procedure. The language of a play has the following peculiarities:
- It is stylized (retains the modus of literary English);
- It presents the variety of spoken language;
- It has redundancy of information caused by necessity to amplify the utterance;
- Monologues are never interrupted;
-characters’ utterances are much longer than in ordinary conversation.