- •О музыке и музыкантах
- •Предисловие
- •I. Musical instruments
- •1.1. Wide possibilities of folk instruments active words and word combinations
- •Before you read the text
- •Text a yuri kazakov: “I played bach on my accordion”
- •After you have read the text
- •Text b russian guitar
- •1.2. Russian soul mirrored in their art active words and word combinations
- •Before you read the text
- •Тexт a russian soul mirrored in its art
- •After you have read the text
- •Vysotsky forever
- •1.3. Stringed instruments active words
- •Before you read the text
- •Text a stringed instruments
- •After you have read the text
- •Text в рianoforte
- •1.4. Wind instruments active words and word combinations
- •Before you read the text
- •Text a wind instruments
- •After you have read the text
- •Text в brass instruments
- •1.5. Organ active words and word combinations
- •Вefоre you read the тext
- •Text a organ
- •After you read тнe text
- •Text b harmonium
- •2. Geniusses of russian music
- •2.1. Тhe father of russian music active words and word combinations
- •Before you read the text
- •Text a the father of russian music
- •After you have read the text
- •Text в folk songs
- •2.2. Opera is always on modern lines active words
- •Before you read the text
- •After you have read the text
- •Text в from the history of opera
- •2.3. Pyotr ilyich tchaikovsky active words and word combinations
- •Before you read text
- •Text a р. I. Тсhаiкоvsку about himself
- •After you have read text
- •Text b p.I. Tchaikovsky in new york
- •2.4. Sergei rachmaninov active words and word combinations
- •Before you read the text
- •Text a sergei rachmaninov: liturgy of st. John chrisostom
- •After you have read the text
- •Text b rachmaninov’s vespers
- •2.5. The greatest composer
- •Active words and word combinations
- •Before you read the text
- •Text a the greatest composer of the mid-20th century
- •After you have read the text
- •Text в how did it start?
- •2.6. Leading interpreters of music active words and word combinations
- •Before you read the text
- •Text a one of the leading interpreters of music: conductor yevgeni mravinsky
- •After you have read the text
- •Text b musician’s rebellious nature
- •3. Brilliance of german music
- •3.1. Johann sebastian bach active words and word combinations
- •Before you read the text
- •Text a j.S. Bach in leipzig
- •Proper Names
- •After you have read the text
- •Text b early years of j. S. Bach
- •3.2. Wolfgang amadeus mozart active words and word combinations
- •Before you read the text
- •Text a wolfgang amadeus mozart
- •After you have read the text
- •Text b reinterpreting mozart
- •3.3. Ludwig van beethoven active words
- •Before you read the text
- •Text a ludwing van beethoven
- •After you have read the text
- •Text в beethoven’s sonatas
- •3.4. Exponents of romanticism in german music active words and word combinations
- •Before you read the text
- •After you have read the text
- •Text в robert schumann
- •3.5. Richard wagner active words and word combinations
- •Before you read the text
- •Text a richard wagner
- •After you have read the text
- •Text b wagner’s childhood and youth
- •3.6. New viennise school active words and word combinations
- •Before you read the text
- •Text a arnold schoenberg
- •Proper Names
- •After you have read the text
- •Text в paul hindemith
- •4. English and american music
- •4.1. From the history of english music active words and word combinations
- •Before you read the text
- •Text a from the history of english music
- •Proper Names
- •After you have read the text
- •Text b henry purcell
- •Proper Names
- •4.2. Opera, symphonic and chamber music
- •In england active words and word combinations
- •Before you read the text
- •Text a glimpse of english opera
- •After you have read the text
- •Text b promenade concerts
- •4.3. English light music of the 20th century active words and word combinations
- •Before you read the text
- •Text a the beatles
- •After you have read the text
- •Text b the rolling stones
- •Proper Names
- •4.4. From the history of american music active words and word combinations
- •Before you read the text
- •Text a from the history of american music
- •After you have read тнe тexт
- •Text b music of african americans
- •4.5. The greatest american composers of the 20th century active words and word combinations
- •Before you read the text
- •Text a george gershwin
- •After you have read the text
- •Text b leonard bernstein
- •4.6. Stars of american music active words and word combinations
- •Before you read the text
- •Text a the “duke” is gone but he’s left us with a rich legacy
- •After you have read the text
- •Text b marty lacker: portrait of a friend
- •Additional vocabulary
- •Contents
- •455036, Г. Магнитогорск, ул. Грязнова, 22
Text a wind instruments
This denotation is a generic term for all instruments in which the column of air enclosed in a pipe generates a sound. The wind instruments of the present-day orchestra are divided into two groups: brass (see below) and wood wind (flute, clarinet, oboe, saxophone and their relatives). While the brass instruments actually form a unified group because they are all made from brass the wood-winds differ widely in character and some of them are made from metal (flute, saxophone).
For a proper understanding of the various wind instruments it is necessary to classify them according to different types of mouthpiece. The “brass instruments” form a group, because they all have a cupped mouthpiece. In the “wood winds”, on the other hand, we have three kinds of mouthpiece; the single reed, used in the clarinets and saxophones; the double reed, used in the instruments of the oboe family; and the mouth hole, used in the flutes. In instruments with a cupped mouthpiece the vibrations are set up directly by the lips of the player. In the instruments with a reed the sounds are produced by the vibrations of the elastic reed, which is loosely enclosed by the lips. In instruments with a mouth hole the lips are held so as to form a thin stream of air which is directed against the sharp lower edge of the hole.
The sound of a wind instrument depends on the shape of the pipe. It is straight in the flute, oboe, clarinet, circular in the horn and so on. The tone colour depends mainly on the mouthpiece and on the inner dimensions of the pipe, whether narrow or wide, cylindrical (in the clarinet, trumpet, trombone), or conical (in the oboe, horn, tuba). The pitch of the sound depends only on the length of the pipe. Properly a pipe of a given length produces only one tone. However, by proper control of the breath and the lips a pipe can also be made to sound a number of higher tones, the harmonics, which, together with the fundamental tone, form the natural tones of a wind instrument. They are the only ones available on a “natural” instrument. In order to obtain the numerous tones between them, means must be provided temporarily to shorten or lengthen the pipe. These are three in kind: a slide (used on the trombone), valves (on all brass instruments) and finger holes (on all the wood winds).
After you have read the text
I. Answer the following questions about the text.
1. How is sound generated in wind instruments?
2. Into which two groups are wind instruments divided?
3. Why do the brass instruments form a unified group?
4. How are wind instruments classified?
5. What can be seen as a remarkable feature of wood-wind instruments?
6. What kind of reed is used in clarinets and saxophones? in the oboe family?
7. What kind of mouthpiece is used in flutes?
8. What does the sound of a wind instrument depend on?
9. What shape of the pipe does the clarinet (trumpet, trombone) have?
10. What form of the pipe does the oboe (horn, tuba) have?
11. What does the sound's pitch depend on?
12. How many tones does a pipe of a given length produce?
13. How can a player make his instrument play a number of different tones?
14. Which means can be used to shorten or lengthen the pipe of a wind instrument?
15. What is your favourite wind instrument?
2. Choose the correct word.
1. “Wind instruments” is a (available, generic, wide) term for many different instruments. 2. The brass instruments (actually, widely, directly) form a unified group. 3. Some (stringed, wind, wood-wind) instruments are made from metal. 4. The wind instruments are usually classified according to the type of (mouthpiece, reed, mouthhole). 5. The (double, single, cupped) reed is used in clarinets. 6. The elastic reed is (hard, widely, loosely) to enclose in one's lips. 7. In the flute the shape of the pipe is (circular, available, straight). 8. The pitch of the sound (differs, depends, generates) on the length of the pipe. 9. A (reed, shape, slide) is used on the trombone to shorten or lengthen the pipe. 10. (Valves, finger holes, inner dimensions) create the variety of tones in wood-winds.
3. Select the correct meaning of the words.
1) generate а) клапан, пистон
2) depend b) свободно
3) narrow с) фактически
4) cupped d) общий, родовой
5) loosely е) узкий
6) actually f) чашевидный
7) slide g) дыхание, вдох
8) pitch h) кулиса /тромбона/
9) term i) охватывать
10) valve j) край, кромка
k) средства
l) термин
m) высота /тона, звука/
n) порождать
о) зависеть
4. Review text A in written form.
5. Describe a concert of a wind orchestra which made a strong impression on you.
6. Read and retell text B.
